Philipps / Wurlitzer Orchestrions
Original Location: Belgium
No
Philipps serial or work number observed.
Piano
(??-note), with Mandolin attachment
Wurlitzer
advertised the style 47 PianOrchestra in a very distinctive later style
case, featuring modernistic lines (illustrated at right). Since no
instruments with that specific case style are known to exist, strictly
speaking, it could be argued that no style 47 PianOrchestras exist.
However, this Philipps Pianella Pfau seems to be essentially the same
orchestrion, in an earlier style case, and it has the same lighting
effects, although the subject of the animated scene is different, which
in the Model 47 is an Alpine landscape with ships moving along a river
and an airship sailing through the sky.About 1968-69 the Pianella Model Pfau (Peacock) was found somewhere in Belgium by Eugene DeRoy, and subsequently sold to Roy Haning and Neal White. During shipment of the orchestrion to the United States, it was either bought or traded by Hathaway & Bowers, Inc., and shipped to Santa Fe Springs, California.
Purchased from Roy Haning and Neal White, of Troy, Ohio, the instrument was scrubbed clean and set up in the Hathaway & Bowers, Inc., showroom.
After
the purchase by Bud Bronson, the Model "Pfau" was restored in the Hathaway &
Bowers, Inc., shop. A replica Philipps repeating triangle action was
installed to round out the trapwork compliment. The instrument was
originally tubed to play Philipps PC (Wurlitzer Concert PianOrchestra)
rolls, but was retubed to play PM (Wurlitzer Mandolin PianOrchestra) rolls
due to the much greater general availability of this type of music roll. The
musical scale was changed from 56-notes to 61-notes. Since the piano had
unison coupled bass notes, it was able to accommodate the change in scale
compass without a problem. The original Philipps main chest being in very
poor condition was replaced by a new chest, copying a more modern, "next
generation," Philipps main chest design.
All the original lighting effects were missing. The two large "magic lamps," also occasionally described by Philipps as "fancy lamps," were duplicated by using proportionally scaled up patterns measured from the similar, and considerably smaller, American version, the "Wonderlamp," as found on Wurlitzer style LX 65-note orchestrions. The amount of upwards scaling was determined by interpolating dimensions and proportions taken from the original "magic lamp" holes in the Philipps case, as well as comparative measurements taken from Philipps catalogues and advertising pictures which illustrated the Model "Pfau." The center Peacock with lighted, revolving tail was a rescaled version of the Wurlitzer "Peacock," as found on the style 12 PianOrchestra. The center, animated scene was duplicated from catalogue illustrations and advertisements, with the mechanics and lighting designed after similar instruments, such as the animation mechanism in the Wurlitzer style 40 Mandolin PianOrchestra.
Information provided by Terry Hathaway, B. Bronson and Siegfried Wendel.
Circa 1908 Philipps poster/catalogue; Circa 1910 Philipps catalogue; Circa 1914 Wurlitzer advertising flyer; Q. David Bowers and Dana Johnson.